3 classes in

So here's my preliminary evaluation of grad school so far

• The classes seem to be just as hard, but not harder than, Swarthmore. Basically, a lot of Swattie profs treated undergrads like grads, which is awesome. 
• there is a lot of reading, but I would not have any trouble with it if I was working 20 hours a week instead of 40, and trying to have a social life too
• NYU, just like Swarthmore, has those annoying people who have to overshare and connect everything to their lives. I've already learned about one student's love life and another cried when an article connected with their personal life. And all of this was in class. 
• grad school is awesome because you get lots of free booze and most of the socializing is in bars 
• my fellow grad students seem really smart, easy to talk to to, and very interesting.
• profs are good, seem passionate about what they are teaching
• I'm back to making bullet points!

My classes this semester

MCC-GE 2001 Media, Culture, and Communication Core Seminar
Monday 7:15 - 9:25 pm (section 1)
Rodney Benson
Class number: 3235 (4 credits)
Examines theoretical approaches that are central to the study of media, culture and communication. Provides students with a historical and critical framework for understanding the literature and research traditions within the field of media studies with an emphasis on media and communication as institutional actors, technological artifacts, systems of representation and meaningful cultural objects

MCC-GE 2182 Communication Processes: Gender, Race and Cultural Identity
Deborah Borisoff
Wednesday 4:55 - 7:05 pm
Class number: 3243 (4 credits)
Students examine the processes and approaches to the study of communication theories, language and aspects of verbal and nonverbal communication with a particular focus on gender, race, and cultural identity. These processes are examined in both personal and professional contexts, across relationships (e.g. friendships, romantic, marital, and work settings) and are connected to current local and global media representations.
S. Douglas & M. Michaels (2004), The Mommy Myth; S. Keen (1991) Fire in the Belly: On Being a Man; L. Arliss & D. Borisoff (2001), Women & Men Communicating: Challenges & Changes; S. Hewlett (2002), Creating a Life; A. Hochschild (1997) The Time Bind. Course readings include also works by Julia Wood, Cheris Kramarae, Marsha Houston, Ronald Jackson, Frank Wu, Judith Butler, Fern Johnson, Pepper Schwartz and others who have written widely on the topic.
[MA Areas of Study: Interaction and Social Processes & Global and Transcultural Communication]

Game of Thrones- the female reader pov

I just read Game of Thrones, all 807 pages of it, on a plane trip to Denver from NYC. Game of Thrones is a medieval fantasy book now in its first season as a HBO show. From Wikipedia:

Set in the Seven Kingdoms of Westeros, where "summers span decades and winters can last a lifetime," Game of Thrones chronicles the violent dynastic struggles among the kingdom's noble families for control of the Iron Throne; as the series opens, additional threats from the snow and ice covered region north of Westeros and from the eastern continent across a narrow sea are simultaneously beginning to rise.[2]

 

The first thing I heard about GOT was a NYT article declaring it "for boys only." Here's the actual quote:

"The true perversion, though, is the sense you get that all of this illicitness has been tossed in as a little something for the ladies, out of a justifiable fear, perhaps, that no woman alive would watch otherwise. While I do not doubt that there are women in the world who read books like Mr. Martin’s, I can honestly say that I have never met a single woman who has stood up in indignation at her book club and refused to read the latest from Lorrie Moore unless everyone agreed to “The Hobbit” first. “Game of Thrones” is boy fiction patronizingly turned out to reach the population’s other half.  "

And I can understand where that thinking comes from. The HBO show is very obviously seeking out the coveted youngish male viewer. There are random sex scenes not present in the book that add a little pizazz to show for both genders.  The book is often times very dry and political. There are pages and pages describing battle tactics, actual battles, and then some more political intrigue. I'm not very interested in that. In fact, I admit to skimming the battle pages with no regret. 

But I think it's inaccurate to say that GOT is only accessible or appealing to men. I would say it's mostly appealing to men but there is something there for female readers. There is something in the text that points to a consciousness in the author to include strong women and many female story lines. We have the three Stark women, diverse within themselves (the matriarch, the princess, the tomboy); Cersai, the evil temptress & schemer who really holds the plot together with all her villainy; Dany, the lost girl who becomes a dragoness; and Osha, the peasant from the true North where the "others" live. Bellafante's point becomes clear when you see the character that HBO has inserted into the show- Rose, the rosy prostitute, there for the (male) viewer's pleasure.