Game of Thrones- the female reader pov

I just read Game of Thrones, all 807 pages of it, on a plane trip to Denver from NYC. Game of Thrones is a medieval fantasy book now in its first season as a HBO show. From Wikipedia:

Set in the Seven Kingdoms of Westeros, where "summers span decades and winters can last a lifetime," Game of Thrones chronicles the violent dynastic struggles among the kingdom's noble families for control of the Iron Throne; as the series opens, additional threats from the snow and ice covered region north of Westeros and from the eastern continent across a narrow sea are simultaneously beginning to rise.[2]

 

The first thing I heard about GOT was a NYT article declaring it "for boys only." Here's the actual quote:

"The true perversion, though, is the sense you get that all of this illicitness has been tossed in as a little something for the ladies, out of a justifiable fear, perhaps, that no woman alive would watch otherwise. While I do not doubt that there are women in the world who read books like Mr. Martin’s, I can honestly say that I have never met a single woman who has stood up in indignation at her book club and refused to read the latest from Lorrie Moore unless everyone agreed to “The Hobbit” first. “Game of Thrones” is boy fiction patronizingly turned out to reach the population’s other half.  "

And I can understand where that thinking comes from. The HBO show is very obviously seeking out the coveted youngish male viewer. There are random sex scenes not present in the book that add a little pizazz to show for both genders.  The book is often times very dry and political. There are pages and pages describing battle tactics, actual battles, and then some more political intrigue. I'm not very interested in that. In fact, I admit to skimming the battle pages with no regret. 

But I think it's inaccurate to say that GOT is only accessible or appealing to men. I would say it's mostly appealing to men but there is something there for female readers. There is something in the text that points to a consciousness in the author to include strong women and many female story lines. We have the three Stark women, diverse within themselves (the matriarch, the princess, the tomboy); Cersai, the evil temptress & schemer who really holds the plot together with all her villainy; Dany, the lost girl who becomes a dragoness; and Osha, the peasant from the true North where the "others" live. Bellafante's point becomes clear when you see the character that HBO has inserted into the show- Rose, the rosy prostitute, there for the (male) viewer's pleasure.